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I was kind of so-so on that one, but it certainly grew on me, as this one has since this morning and probably will continue to. Personally, I kinda like the folksy, Woody Guthrie-ish guitar. Edit: Looking back, I regret this review.
This album was atrocious. I mean really bad. I have no idea what I was thinking when I wrote this. Oh well, their next one was better. No, I am not one of those big punk advocates that liked "Die for the Government" and none of the other CDs, yet every time this band puts out a CD I have to say how they suck and sold out even though I haven't been a fan for a decade. I am not gonna b m and c because they signed to RCA records. I don't care.
It's music. I anticipated this CD like no other 'cause I absolutely love this band, I had seen them live 3 times and own pretty much all the music they've put out. Then they put out this. The old Anti-Flag sound is there. The issue here is not that they tried new stuff, like adding a bunch of new instruments at times or writing heart-felt lyrics that are not political at all, the issue is that in order to do all that they had to slow the music down.
Some songs have a lot of potential, like "The Modern Rome Burning" "Smartest Bomb" and "Shadow of the Dead" but it seems like every time a song picks up and finds some energy, it just loses it again to the breakdown and becomes rather boring. Most of the songs would do very well as 2 or 3 minute ditties, but they are instead draggged on to 4 or 5 minutes and they're not all that fun to listen to.
Another thing that bothers me about all the "new ground" is that with the addition of new instruments, the old ones like, oh, I dunno, 6 string guitar and bass are not as potent as they used to be. Chris's basslines, which used to drive the CDs along and impress me very much, are still there, just not as frequently and they're sometimed masked by other things. Underutilized and disappointed. Sure, this CD has grown on me. If you liked the older CDs, there's still a chance you'll like this.
If I hadn't seen them live a fourth time and heard the new stuff live I never would have bought the CD, 'cause I streamed it and had the typical "It sucked, they sold out" reaction. Turns out these songs are great live, you mosh during the fast parts and then you get a breather during the breakdowns, not that you really need it. Maybe next time Anti-Flag will be able to take this "new stuff" and apply it to their signature sound that was nearly abandoned here. Until then, 2 stars.
I have always enjoyed Anti-Flag's music and I really like the new sounds that they use on this album. It's nice to see they aren't allowing themselves to be limited by the perceptions of what the punk genre is "supposed" to be, which I've always found hilarious, given that so many of those who love to hate Anti-Flag are the first to say punk is about being yourself.
Uh, yeah It has everything I look for in a good punk album: great message, fast, loud, catchy hooks, and pushing the boundaries of punk rock. Go buy this album. Nathan E. Haag "ka-klunk" souf jers - May 23, 1 of 2 people found the following review helpful: - I hate being let down by albums I've been a fan of AF since I was a wee 8th grader.
I have every album, I've seen them every time they've been in philly over 10 times. I'm not trying to brag, I just want to lend some perspective on my review. Whether it's the uppity Against Me! If the ambition on the album isn't enough to exhaust you, the execution and production will proceed to put you on your knees. Filled with bass booms, lo-fi to heavy and compressed transitions, the disparity of light and dreamy from heavy and brooding on this album is draining.
The instrumentation builds on the standards, but attempts to purvey more than its worth. The dichotomous guitar work between left and right channels has a tendency to create depth and demonstrate teamwork through valiant composition, but with Bright Lights it is, at times, frustrating and harmful to unity. In we witnessed and participated in The Shape of Punk to Come 's provocative sound and energy, in , we admired the modesty and honesty of Hidden World , both contemporary albums that stand the test of time.
Here we have an album trying its hardest to work away from its peers and closer to godliness. With morally divine chanting children to infinitely wise and inspirational political soundbites, Anti-Flag overshoots the moon and lands back on Earth promoting MySpace Secret Shows on an RIAA-affiliated label.
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The issue here is not that they tried new stuff, like adding a bunch of new instruments at times or writing heart-felt lyrics that are not political at all, the issue is that in order to do all that they had to slow the music down. Some songs have a lot of potential, like "The Modern Rome Burning" "Smartest Bomb" and "Shadow of the Dead" but it seems like every time a song picks up and finds some energy, it just loses it again to the breakdown and becomes rather boring.
Most of the songs would do very well as 2 or 3 minute ditties, but they are instead draggged on to 4 or 5 minutes and they're not all that fun to listen to. Another thing that bothers me about all the "new ground" is that with the addition of new instruments, the old ones like, oh, I dunno, 6 string guitar and bass are not as potent as they used to be. Chris's basslines, which used to drive the CDs along and impress me very much, are still there, just not as frequently and they're sometimed masked by other things.
Underutilized and disappointed. Sure, this CD has grown on me. If you liked the older CDs, there's still a chance you'll like this. If I hadn't seen them live a fourth time and heard the new stuff live I never would have bought the CD, 'cause I streamed it and had the typical "It sucked, they sold out" reaction. Turns out these songs are great live, you mosh during the fast parts and then you get a breather during the breakdowns, not that you really need it.
Maybe next time Anti-Flag will be able to take this "new stuff" and apply it to their signature sound that was nearly abandoned here. Until then, 2 stars. I have always enjoyed Anti-Flag's music and I really like the new sounds that they use on this album. It's nice to see they aren't allowing themselves to be limited by the perceptions of what the punk genre is "supposed" to be, which I've always found hilarious, given that so many of those who love to hate Anti-Flag are the first to say punk is about being yourself.
Uh, yeah It has everything I look for in a good punk album: great message, fast, loud, catchy hooks, and pushing the boundaries of punk rock. Go buy this album. Nathan E. Haag "ka-klunk" souf jers - May 23, 1 of 2 people found the following review helpful: - I hate being let down by albums I've been a fan of AF since I was a wee 8th grader.
I have every album, I've seen them every time they've been in philly over 10 times. I'm not trying to brag, I just want to lend some perspective on my review. Anti-Flag has been my favorite band for over ten years, but now I feel let down.
I was so excited for this cd. Then they had the Victims of Violent Crime ep, which was also awesome. So I figured, "hey, the next one has got to be great. The songs are not only overly long, they have no imagination. There are seemingly no verses in some songs. I feel like they just wrote a few chords, threw a terrible chorus over it and called it a song.
We all have our vices we all have our flaws we all have our anger we all have our love There must have been a deadline or something because this album feels totally rushed. And really, I love when bands throw in new instruments and stuff, but they just don't work here. The guitars are lacking to the point where I'm sitting there aurally searching for riffs and hooks.
Obviously im very disappointed and I hope they go back to being anti-flag. I would seriously be surprised if radio junkies actually liked this. I hate having cds that let me down, cuz its like, what am I going to do with this? I could sell it, but that still wont erase the memories, only a new cd could. When I first heard that this album would expand and include timpanis, classical interludes and chanting children the voice of tomorrow? The experimentation on this album is without a doubt interesting, but incredibly blatant and questionable.
It also begs the question: What were the influences while writing this album? Whether it's the uppity Against Me! If the ambition on the album isn't enough to exhaust you, the execution and production will proceed to put you on your knees. Filled with bass booms, lo-fi to heavy and compressed transitions, the disparity of light and dreamy from heavy and brooding on this album is draining. The instrumentation builds on the standards, but attempts to purvey more than its worth.
The dichotomous guitar work between left and right channels has a tendency to create depth and demonstrate teamwork through valiant composition, but with Bright Lights it is, at times, frustrating and harmful to unity.
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